thegreatadventure2015 decoration

<b><i>Willer Gallery</i></b><br /><i></i><br /><i>"I am an obsessive researcher, I love being in the library, figuring out the roots, the links, the relationships and the influences.”  <b>-</b> Rebecca Willer </i><b><br /></b><br /><b><br /></b><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCqnZt3eYqUjLu7f3lhrXn0us8KLMUwDVnh0tEirEGgOOPnmFahIxZknHC0W-9QJE4KANXcvIVeY9wxz-lNt6zjGzkRKUgRy2zqwB2fvjwPIu8tZlipR8gs1yrZJHnJ8msdsdZdEB96P0u/s1600/1_willer_artists_lynn-chadwick_bronze.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCqnZt3eYqUjLu7f3lhrXn0us8KLMUwDVnh0tEirEGgOOPnmFahIxZknHC0W-9QJE4KANXcvIVeY9wxz-lNt6zjGzkRKUgRy2zqwB2fvjwPIu8tZlipR8gs1yrZJHnJ8msdsdZdEB96P0u/s1600/1_willer_artists_lynn-chadwick_bronze.jpg" /></a></div><br /><br /><br /><i>If there’s anything I set out to achieve, it’s that I want the look to be like the objects have grown with the person,” says Willer. “Our clients are discerning. They are people who travel, experience different cultures and who are very interested in the arts. We help them reflect their lifestyles in their decor.” Charming, perceptive, interested and interesting, Willer has confidence in what she knows but also confidence to be excited about learning more, all the time. <span style="font-size: large;"><b>“I am an obsessive researcher,” says Willer. “I love being in the library, figuring out the roots, the links, the relationships and the influences.”</b></span> This approach to design and life is in Willer’s DNA. “My father was a diplomat towards the end of his career and when he travelled, what he always wanted to know was ‘What are the most special artefacts of the local cultures?’ and ‘What can we ship back?’ I can’t imagine not responding to my environment that way; even when I was a student, living on a shoestring, my room didn’t look like anyone else’s – for pennies, it looked different. I say my approach has always been spare, not forced, certainly accumulated over time.</i><br /><br /> <a href="http://www.willer.co.uk/wp-content/uploads/2014/10/Willer-Press-Article.pdf"><i><b>(text taken from here...) </b></i></a><br /><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitImi8x-T0VVZS3JRGuJ_usQ_YrG-T8qDLxlzhiJ7vBUkwfhKsH5DmZvOXV6v6I1azT1nn-n-bpi_TSmWg9lGbgSJagAiICi8Q08JPYgHVuIDp23zZ7oj4lVil4D83ptUZvrpz_i8c82ci/s1600/1_willer_furniture_paul-mathieu-chaise-1500x847.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitImi8x-T0VVZS3JRGuJ_usQ_YrG-T8qDLxlzhiJ7vBUkwfhKsH5DmZvOXV6v6I1azT1nn-n-bpi_TSmWg9lGbgSJagAiICi8Q08JPYgHVuIDp23zZ7oj4lVil4D83ptUZvrpz_i8c82ci/s1600/1_willer_furniture_paul-mathieu-chaise-1500x847.jpg" /></a></div><div style="text-align: center;"><i><br /></i></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><i>Paul Mathieu 'Aria' chaise, bronze & Abigail Simpson vessel</i></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvtJD4XEDFcB5H4wpCljfOuEScV-r30QU2mcCFTPBtKeF7vddzIeYnGu7ujnyekjWC5lCJqI01Zi_oIFUvc-AWcP2_H9WiE-ieb5zoH9e03GR-X9AsVveCzOJaG1ifzrh5Z4hfWY7nAc30/s1600/5_willer_lighting_mathilde-penicaud_lamp_concrete1-1500x847.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvtJD4XEDFcB5H4wpCljfOuEScV-r30QU2mcCFTPBtKeF7vddzIeYnGu7ujnyekjWC5lCJqI01Zi_oIFUvc-AWcP2_H9WiE-ieb5zoH9e03GR-X9AsVveCzOJaG1ifzrh5Z4hfWY7nAc30/s1600/5_willer_lighting_mathilde-penicaud_lamp_concrete1-1500x847.jpg" /></a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><i>Mathilde Penicaut table lamps</i></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><a href="http://www.willer.co.uk/about/"><i><br /></i></a><a href="http://www.willer.co.uk/about/"><i>more info here..</i></a><br /><br /><br /><br /><div style="text-align: center;"><i>-------------- </i></div><br /><br />

Willer Gallery"I am an obsessive researcher, I love being in the library, figuring out the roots, the links, the relationships and the influences.” - Rebecca Willer If there’s anything I set out to achieve, it’s that I want the look to be like the objects have grown with the person,” says Willer. “…

31Dec2014

LEWIS AND SHERON TEXTILES

LEWIS AND SHERON TEXTILES

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24Dec2014

<i>I’ve long been interested in loops, mistakes, trance-y repetition. </i><br /><i>It’s like writing a novel with pages missing in all the right places. —Harmony Korine </i><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGyH9gm34e9n6Vz3OJEVnLcxXGrfpgFp4sk7gOo2vFqsT8OBZB4BsTwyB-Xgv8mvPPlkTXPqUIp4OKq4IqIuu01E-QTOa6B1BMO4YepPGbq-jHClmGLQG7qNi8JaNZon6v_IdhEfslK_Sz/s1600/5e5a3a36d6b42d777c46226f39fb1bf3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGyH9gm34e9n6Vz3OJEVnLcxXGrfpgFp4sk7gOo2vFqsT8OBZB4BsTwyB-Xgv8mvPPlkTXPqUIp4OKq4IqIuu01E-QTOa6B1BMO4YepPGbq-jHClmGLQG7qNi8JaNZon6v_IdhEfslK_Sz/s1600/5e5a3a36d6b42d777c46226f39fb1bf3.jpg" /></a></div><br /><br /><br /><b>Harmony Korine </b><br />December 28, 2014 - January 31, 2015<br />Eden Rock Gallery St. Jean, St. Barthélemy <br /><br /><br /><i>Gagosian is pleased to present recent paintings by Harmony Korine at Eden Rock Gallery's new location on top of the iconic hotel Eden Rock in St. Barths.  Korine’s cult films of the past twenty years—from the surreal Gummo (1997) to Spring Breakers (2012), a contemporary film noir in which four college freshwomen are drawn into a murderous labyrinth of events—merge reality with fiction and hand-held camerawork with precise montage. This heady mix of the unplanned, the seductive, and the outlandish crystallizes in his lesser known, highly tactile paintings. Eschewing brush and professional paint in favor of Squeegees, leftover household paint, and masking tape, he creates loosely sequential images that echo the sonic and visual leitmotifs of his films. The accumulative hypnotic effect of the paintings is offset by lifelike randomness and impulsive energy.  </i><br /><br /><i>Fidget Malt Crew and Slotty (all works 2014) are inhabited by shadowy, clawed creatures reminiscent of Goya’s ghastly Caprices, obscured by layers of housepaint, sprayed with letters, and repainted over the course of several years. The rows of circles and squares that cover every inch of Fflobby Check and Slausenraver Check yield sudden variations that vacillate between considered and spontaneous mark-making, while rainbow-hued, striated paintings comprising hundreds of horizontal lines hint at distant perspectives. Korine sticks pieces of bubble wrap, plastic, and paper to the canvas as he works, imbuing the optical depths with physical relief. These fossilized scraps embody dual narratives: as literal records of process, their skeletal silhouettes also suggest drifting specters, echoing the animated wraiths of more overtly figurative works such as Tinchy Sinchy and Frost Ball Junior High. Deliberate and erratic, repetitious and random, Korine’s paintings are born of fierce life forces, conflictual yet interdependent.</i><br /><br /><br /><a href="http://www.gagosian.com/exhibitions/harmony-korine--december-28-2014"><i>more info here..</i></a><br /><br /><br /><div style="text-align: center;">---------------</div>

I’ve long been interested in loops, mistakes, trance-y repetition. It’s like writing a novel with pages missing in all the right places. —Harmony Korine Harmony Korine December 28, 2014 - January 31, 2015Eden Rock Gallery St. Jean, St. Barthélemy Gagosian is pleased to present recent paintings by Ha…

23Dec2014

PHOTO SHOOT

PHOTO SHOOT

19Dec2014

<b><i>winter </i></b><br /><i>chills and spills and thrills </i><br /><i><br /></i><i><br /></i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpXCc30uv-3xEohKT8C9t6gf9bCsZ_i6Z8pyOf_v-3VSSGn4_rbGfE9AmvjsfiVC36fqYAL0Khu3arTxjzJGdfeafhDxPajW3lmlDM1UsOA6FjrZdIrYfo7dWg0FqhxMMr0kdU0CoxNxva/s1600/Blinky+Palermo,+Untitled,+1969.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpXCc30uv-3xEohKT8C9t6gf9bCsZ_i6Z8pyOf_v-3VSSGn4_rbGfE9AmvjsfiVC36fqYAL0Khu3arTxjzJGdfeafhDxPajW3lmlDM1UsOA6FjrZdIrYfo7dWg0FqhxMMr0kdU0CoxNxva/s1600/Blinky+Palermo,+Untitled,+1969.jpg" /></a></div><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWYzrw18o-eE9PJ0U1HeMwrUF52wWFgkQpdit-E_MdzyOZbP5G3yJ3Utd-kxRwrGzUXw73vxGBsQO6e5F5SAYjgQfFBt7hWP9LKc5BrJU-kYIGF-8-F33pB9rv_ecXEaPW-M7qP9xy18sb/s1600/ae8e1b70-f9bf-488d-8a6a-8277ee398172.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWYzrw18o-eE9PJ0U1HeMwrUF52wWFgkQpdit-E_MdzyOZbP5G3yJ3Utd-kxRwrGzUXw73vxGBsQO6e5F5SAYjgQfFBt7hWP9LKc5BrJU-kYIGF-8-F33pB9rv_ecXEaPW-M7qP9xy18sb/s1600/ae8e1b70-f9bf-488d-8a6a-8277ee398172.jpg" /></a></div><br /><i><br /></i><br /><i>1. Blinky Palermo, 1969 painting</i><br /><br /><i>2. Catch, is  a collection of floor, wall and suspension lamps which plays on a visual and physical tension amongst brass elements, blown glass and the sensual light of the opal. “I let the chain turn into big graphic staples imposing themselves on fragile glass elements. […] Some sort of timeless play between the male element – the rigid metal – and the female one – the liquid glass”</i><br /><i>via Nilafur Gallery</i><br /><br /><br /><div style="text-align: center;">--------------</div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4DL0IaeufZqRrj2_76DcEUibsWXP_BUxugfmfFHhU_f7FIaifoOYC4x9vhHPfVgM3kroHQZUYVvPDFizyotwOU5L-d185PI_Ik6Q1kCTqdP2xYfcrCBRhe6883qCD-08LWkcpKZ5-J7N1/s1600/5bd913d4230c22c51db42fb9c4ba9ece.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4DL0IaeufZqRrj2_76DcEUibsWXP_BUxugfmfFHhU_f7FIaifoOYC4x9vhHPfVgM3kroHQZUYVvPDFizyotwOU5L-d185PI_Ik6Q1kCTqdP2xYfcrCBRhe6883qCD-08LWkcpKZ5-J7N1/s1600/5bd913d4230c22c51db42fb9c4ba9ece.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4DL0IaeufZqRrj2_76DcEUibsWXP_BUxugfmfFHhU_f7FIaifoOYC4x9vhHPfVgM3kroHQZUYVvPDFizyotwOU5L-d185PI_Ik6Q1kCTqdP2xYfcrCBRhe6883qCD-08LWkcpKZ5-J7N1/s1600/5bd913d4230c22c51db42fb9c4ba9ece.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4DL0IaeufZqRrj2_76DcEUibsWXP_BUxugfmfFHhU_f7FIaifoOYC4x9vhHPfVgM3kroHQZUYVvPDFizyotwOU5L-d185PI_Ik6Q1kCTqdP2xYfcrCBRhe6883qCD-08LWkcpKZ5-J7N1/s1600/5bd913d4230c22c51db42fb9c4ba9ece.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4DL0IaeufZqRrj2_76DcEUibsWXP_BUxugfmfFHhU_f7FIaifoOYC4x9vhHPfVgM3kroHQZUYVvPDFizyotwOU5L-d185PI_Ik6Q1kCTqdP2xYfcrCBRhe6883qCD-08LWkcpKZ5-J7N1/s1600/5bd913d4230c22c51db42fb9c4ba9ece.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div><br />

winter chills and spills and thrills 1. Blinky Palermo, 1969 painting2. Catch, is a collection of floor, wall and suspension lamps which plays on a visual and physical tension amongst brass elements, blown glass and the sensual light of the opal. “I let the chain turn into big graphic staples impos…

18Dec2014

SCOTT'S

SCOTT'S

16Dec2014

thegreatadventure2015 decoration

LEWIS AND SHERON TEXTILES

PHOTO SHOOT

SCOTT'S

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